Canon EOS 5D Mark II Digital SLR Camera Proves Essential for Realistic Photography of Miniature Puppets and Sets, As Well As Sequential Image-Pairs Needed for 3D Animation
LAKE SUCCESS, N.Y. — (BUSINESS WIRE) — August 17, 2012 — Five camera teams and crews of animators, puppeteers, and staff from LAIKA animation studios, along with an garrison of sixty EOS 5D Mark II SLR cameras from Canon U.S.A., Inc., a leader in digital imaging solutions, have come together to help bring the new 3D feature film, “ParaNorman” to screens this Summer. The EOS 5D Mark II DSLR cameras captured frame-by-frame stop-motion animation of puppet “actors” in this new horror comedy about a small-town boy who speaks to ghosts and must battle an assortment of otherworldly creatures to save his town from doom.
“The Canon EOS 5D Mark II has features that helped us to expedite the stop-motion animation process,” noted John Ashlee Prat regarding the animation of “ParaNorman.” Prat, one of five lighting cameramen on the film, explained that in order to capture the more than 400,000 separate stop-frames needed to create “ParaNorman,” the film was divided among five camera teams and 50 separate units at LAIKA’s 151,000 square ft. studio. Each unit had its own shooting stage, sets, puppet “actors,” equipment (including Canon EOS 5D Mark II cameras), and a crew working on different portions of the film simultaneously. Director of Photography Tristan Oliver supervised the daunting task of five simultaneous film units throughout the entire production.
Compact, lightweight, and compatible with Canon’s wide selection of EF Series lenses, the Canon EOS 5D Mark II digital SLR camera is equipped with a 21.1 megapixel full-frame Canon CMOS image sensor and DIGIC 4 image processor for exceptional still-image capture in a number of RAW or JPEG modes and sRAW options.
“Stop-motion animators need a live-view reference to see and record their progress,” Prat said. “We tested every off-the-shelf digital SLR camera that can provide live view and the high-resolution RAW image files we needed, and we found that the Canon EOS 5D Mark II live view is far superior to any of the others. The 5D Mark II also provides the RAW image output we needed, and a USB connector to feed files to our in-house network.”
Photography of a stereoscopic 3D film requires the capture of not one, but two frames – a left and a right image – 24 times for every second of screen time (in stop-motion animation that number is doubled to 48). The compact size of the Canon EOS 5D Mark II digital SLR camera (as opposed to traditional film cameras) greatly facilitated the capture of the corresponding left- and right images needed for 3D, especially given the miniature sets and puppets being photographed. Each 5D Mark II camera was mounted on a computer-controlled motorized horizontal slider, which moved the camera first right and then left for sequential capture of all the necessary 3D frame-pairs.
“The slider is necessary because we can’t put two cameras side-by-side to successfully photograph little 8- to 12-inch puppets in a miniature world,” Prat explained. “We have to use the inter-ocular distances appropriate to that world in order for it not to look miniature.”
“The self-cleaning sensor feature of the Canon EOS 5D Mark II saved us a lot of time because we didn’t need to take the lens off to clean the sensor,” Prat added. “We are rolling our current fleet of 5D Mark II cameras on to our next production, although not for principal photography. Instead they will be used to support all the other departments for their photographic needs. Principal photography will be done with EOS 5D Mark III cameras, which feature a live view that’s two stops better than the original Mark II’s, and that’s even better for us.”
About Canon U.S.A., Inc.
Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. With $45.6 billion in global revenue, its parent company, Canon Inc. (NYSE: CAJ), ranks third overall in patent holdings in the U.S. in 2011† and is one of Fortune Magazine's World’s Most Admired Companies in 2011. Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To keep apprised of the latest news from Canon U.S.A., sign up for the Company's RSS news feed by visiting www.usa.canon.com/rss.
†Based on weekly patent counts issued by United States Patent and Trademark Office.
All referenced product names, and other marks, are trademarks of their respective owners.
Availability and specifications of all products are subject to change without notice.
Contact:
Canon U.S.A. Web site:
www.usa.canon.com
or
For
sales information/customer support:
1-800-321-HDTV (4388)
www.canonbroadcast.com
or
Editorial :
Canon
U.S.A., Inc.
Len Musmeci, 516-328-4884
Email Contact
or
Marcomm
Group
Brian McKernan, 516-829-0404
Email Contact
